The Opera, ‘the Chronicles of Lot’ is an Alien repackaging of the mythological clash of Jewish religious ideology with Pagan cultures. During the course of the opera, this historic struggle morphs into the eternal conflict between Humanity and the Trans-Humanist, Bio Orwellian State (funnily, the narrative source of all conspiracies).
This theme is crystallized around the internal drama of the main character, Lot, along with his family’s various nutty hijinks. He is constantly torn between his attraction to worldly utopianism represented by Sodom and the eventual failed outcome of religious or societal legalism of the Aliens. Ironically, his bilateral ideological lust is a constant recurring theme in the ancient Torah texts, from one of which this opera is derived.
CAST
Lot baritone
Pleiadian tenor
Grey 1 tenor
Grey 2 tenor
Abraham bass
Lot’s Wife Edith Alto.
Lot’s Daughter 1 Kim soprano
Lot’s Daughter 2 Kylie soprano
King of the Jews baritone
Fiancé 1 bass
Fiancé 2 bass
Sarah soprano
Hagar mezzo
Ishmael young boy (non-singer)
Chorus SATB 16 or 32 or 48. At least 4 of each.
The orchestra consists of 3 flute, 3 clarinet, 3 oboe, 3 bassoon, 4 C trumpets, 4 horns, 4 trombones, and tuba with full strings and percussion. The 2 track electronics are synced via click to the conductor.
The work can be performed without chorus or orchestra-just electronics and soloists
(Note- the AI voices on the recording, have trouble grasping the various twists and turns of the libretto. Hopefully, this will be ironed out in future updates. It’s best to follow with the Libretto.)
ACT 1
Synopsis
Scene 1a opens with a mob repeating antisemitic tropes while moving back and forth across the stage. Eventually a partial view of Tartarian-like spaceship/zeppelin appears, alone with the creator alien, Pleiadian and two greys riding on individual modules. They are searching for Abraham.
Scene 1b The trio lands and the 2 greys lament the failure of mankind and the miscalculating of the creator. Pleiadin defends his creation saying there are no mistakes. The Greys go further how the creation of the Jews were an added disaster, while Pleiadian counters the Jews are the apple of his eye, destined for greatness. The spaceship and aliens leave still looking for Abraham.
Scene 2a opens wth Abraham, Sarah, Lot, Hagar and Ismael dancing/partying mid afternoon.
Scene 2b After Abraham and Lot have a disagreement about how to deal with the gentiles, Abraham advocating getting along while Lot advocating a more aggressive approach, and that Pleiadian has not been faithful in protecting the Jews. Lot proceeds to list examples.
Scene 2c Lot recommends they come under the protection of the Reptilians who control Sodom and Gomorrah. He proceeds to list the Elite organizations that have already joined the Reptilians.
Scene 2d The spaceship suddenly enters the scene with the three aliens in tow. Pleiadian finds Abraham and they land. the aliens join Abraham, Sarah, Lot, and Hagar for a meal.
Scene 2e Pleiadian Informs Abraham that Sarah is going to have a son leading to the heroic leadership of many nations. Everyone laughs. Hagar is also prophesied to have a son.
Scene 2f Pleiadian warns he has come to destroy Sodom and the Reptilians because of their involvement with bioengineering, predictive programming, eugenics, as well as satanic blood ritual.
Scene 2g Lot Pleads with Pleiadian to not punish his family or the good citizens in Sodom. Pleiadian says if they repent he will spare them. The two greys depart with Lot on their modules to Sodom.
Chronicles of Lot Video Score Act 1 with Subtitles
ACT 2
Synopsis
Scene 1 opens with a gentleman entering a club in Sodom. Inside members are singing about the joys of gayness while the Reptiles outline the future joys of modern life. Suddenly, the two homophobe Greys and Lot fly in overhead. The crowd quickly becomes enamoured with the Greys so the trio quickly retreat inside Lot’s house.
Scene 2a opens in Lot’s ‘smoky’ living room with discussion about life being a simulation. Lot’s daughters (fiancées in tow), Kim and Kylie have a duet about how they are losing followers on the internet while his wife, Edith, says all life problems are solved by following celebrities. Greys believe Sodom society has had a negative effect on the female brain.
Scene 2b the Greys chastise the Jews for not fulfilling their purpose in delivering the Words of Pleiadian to humanity, but instead joining in and profiting from a pagan society. They then list the sins of society while Lot and his family insist the Reptiles are a force of goodness and eternal life. The Grey reveal the Reptile plan to turn everyone into hard drives, adrenochrome makers and be forced to worship Lucifer, the AI Beast.
Scene 3a brings large knocks at the door, opening to the crowd wanting the Greys for ritual sex and sacrifice.
Scene 3b Lot attempts to substitute his daughters for the Greys. The mob rejects his offer and say the Jews are in the way of human progress and expression. The mob seizes the Grey and are about to sacrifice them when Pleiadian’s Spaceship crash into the scene, after which he curses the crowd. The crowd goes blind and writhers on the ground.
Scene 3C The Greys insist Lot and his Family leave Sodom, but the family and daughter’s fiancées want to stay.
Scene 3D the Greys seize Lot, Edith, and the daughters and flee Sodom, saying goodbye.
Scene 4 Edith sings about how much she misses her life and turns back, turning her into stone, to everyone’s consternation.
Scene 5 the Greys can’t take the women complaining so they drop the family off near the caves.
Scene 6 is the family wandering to the caves, towing frozen Edith in a wagon, then they see a burst of light and sound from Sodom (nuked).
Chronicles of Lot Video Score Act 2 with Subtitles
ACT 3
Synopsis
Scene 1a Kim and Kylie are living in a cave while complaining about their impoverished plight. Their only solution is the seduction of their father in order to bare children.
Scene 1b Drunk Lot emerges from a back cave/room, towing Edith’s statue. He sings how he misses her, how he betrayed her, how he is going mad and eventually gets on his knees and worships her.
Scene 1C Kim proceeds to seduce Lot and eventually succeeds.
Scene 1D Lot emerges from back room, drunk, terribly ashamed and vows to be a changed man, in front of Edith’s statue. Kylie proceed to seduce Lot.
Scene 1E Lot again emerges from the back room drunk, again ashamed. He wonders about his compulsive behaviour and its relation to the Law. Meanwhile, Pleiadian and the Greys mange to locate him through surveillance and they arrest him.
Scene 1F Pleiadian condemns Lot for sleeping with his daughters, among other things, and proceeds to vamp on the ins and outs of being under the Law, Then Pleiadian and the Greys pull off their masks and reveal themselves to be Reptiles, while Pleiadian reveals himself to be Lucifer, surrounded in bright, sparkling light. They laugh uproariously, then condemn Lot, the Jews and humanity in general and proceed with their ritual sacrifice.
Scene 1G Deux ex Machina, King of the Jews descends from the heavens, tells Lot to get up and then forgives him. The King of the Jews condemns the Reptiles and prophesies the future of the Jews. Then ascends.
Scene 2 Mobs moving back and forth across the stage repeating antisemitic tropes and pursuing a very pregnant Kim and Kylie. The girls try to find cellphone connectivity to get an Uber in order to exit their unglamorous, rural locale.
Chronicles of Lot Video Score Act 3 with Subtitles
